by Toby Lawrence:
In this rupture, the realities and particularities of Jamaican history are brought to the surface of a modern utopian form. With the potential for ruin found in the impending removal of just one bulldog clip, the modernist constructs fastened by these mass-produced and imported commercial products no longer exist without the consideration of the assorted histories that have contributed to their present state.
by Helen Marzolf
Charles Campbell’s Transporter deploys beauty to tear open seamless historical narratives. He irritates partially skinned-over political wounds, pulls injustices from the past, reminding, on gorgeously surfaced works of art.
Residencies and exhibitions for the Winter and Spring of 2013
The current National Biennial in Kingston is perhaps the best biennial to date, but it also reveals of some of the major deficits that exist in the Jamaican art scene.
the themes and outcomes of a Conference on Human Trafficking hosted by Duke University
Ofili turned this accepted wisdom on his head. The images here were caricatures not characters. Captain Shit was a pimp on steroids and the women in his paintings combined hardcore porn with Blaxploitation.
R.M. Vaughan from Globe and Mail reviews the exhibition ’Contemporary Jamaican Art: Circa 1962/Circa 2012′
What claim does Caribbean art have to the future?
Copyright ©2012 Charles Campbell, All Rights Reserved Site by Tunaheart
