Artzpub Minute

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Re-Making Fractal Engagement: 6 Perspectives

CHARLES CAMPBELL AND NICOLE SMYTH-JOHNSON On Monday April 21, 2014 Charles Campbell unveiled Actor Boy: Fractal Engagement, a commission of the EN MAS’: Carnival and Performance Art of the Caribbean … »Read More
Time’s Ghetto

What claim does Caribbean art have to the future?
Failure at the Yard

Transporter ventures to Port of Spain

Repeat and Rotate: Interplay of Utopia and History

by Toby Lawrence:
In this rupture, the realities and particularities of Jamaican history are brought to the surface of a modern utopian form. With the potential for ruin found in the impending removal of just one bulldog clip, the modernist constructs fastened by these mass-produced and imported commercial products no longer exist without the consideration of the assorted histories that have contributed to their present state.
Charles Campbell’s Geometries

by Helen Marzolf
Charles Campbell’s Transporter deploys beauty to tear open seamless historical narratives. He irritates partially skinned-over political wounds, pulls injustices from the past, reminding, on gorgeously surfaced works of art.
Human Traffic: Past and Present

the themes and outcomes of a Conference on Human Trafficking hosted by Duke University
Walking Jamaica’s art History

R.M. Vaughan from Globe and Mail reviews the exhibition ’Contemporary Jamaican Art: Circa 1962/Circa 2012′

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